Fluxland is a new interactive artwork, sound piece and space for debate by French artist Cyril de Commarque, coming to London in September. A converted 25-metre long freight boat mounted with a mirrored polyhedron sculptural form, Fluxland will navigate along the Thames on a series of journeys over the course of the month, as a travelling visual and sound installation.
This pioneering project is a year in the making. Since sourcing the original vessel, de Commarque has been converting the structure in its docking in a Dutch shipyard, readying Fluxland for its voyage to London. Its polyhedron form is influenced by the belief in ancient Greek philosophy that the shape inspires philosophical and artistic contemplation. The mirrored surface invites internal contemplation, at the same time reflecting the external world.
Visible and audible from the banks of the river as it journeys, Fluxland will reflect the passing buildings across its angled facets, mirroring elements of the city skyline. Visitors will be able to hear the artist’s soundtrack of samples sourced from all over the world, and the vessel will moor regularly in locations where viewers will be able to board and experience its immersive environment.
Fluxland takes its name from the Fluxus movement, an artistic revolution in the 1960s with leading figures including Joseph Beuys and John Cage who de Commarque identifies as influencers. Central to the movement was the idea that art was an agent of progress and change for society and interaction was central to a work of art. Similarly, Fluxland is activated by its participants and encourages societal and cultural change that goes beyond the project.
Cyril de Commarque (b.1970) lives and works in London. Recently the subject of a solo exhibition at MACRO (2014) in Rome, his work has been exhibited at the Grand Palais and the Bibliothèque Nationale de France in Paris, and the Fondazione Giorgio Cini in Venice.
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