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Online & Aboard Uber Boat by Thames Clippers

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Uber Boat by Thames Clippers operate at 23 piers between Putney Pier & Woolwich Royal Arsenal Pier

By River with Uber Boat by Thames Clippers

See a selection of images from this exhibition aboard Mercury and Jupiter Clipper screens on Uber Boat by Thames Clippers

Calling at 23 piers throughout the day, the Uber Boat by Thames Clippers service is the perfect way to navigate the festival, in spacious comfort above ground.

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Coalhouse Fort, Tilbury, 5-week exposure time, 2021
Cliffe Pools Reservoir, Gravesend, 2021
The Mouth of the Thames, Gunners Park, Shoeburyness, 2-month exposure time, 2021
The Mouth of the Thames looking out to Sheerness, Gunners Park, Shoeburyness, 2021
Dock Road facing the Emirates airline cable cars, West Silvertown, London, 2-month exposure time, 2021
Canary Wharf, London, 2021
City of London Skyline from Westferry, Westferry, London, 2-week exposure time, 2021
Tilbury Coastline, Coalhouse Fort, Tilbury, 2021
Tate & Lyle Factory, Knights Road, West Silvertown, London, 2-month exposure time, 2021
The Thames Riverbank from Wapping stairs, Looking onto Canary Wharf, London, 2021
The Mouth of the Thames #2, Gunners Park, Shoeburyness, 2-month exposure time, 2021
University of Greenwich & Greenwich Power Station, photographed from Newcastle Draw Dock, Isle of Dogs, 2021
WWT London Wetlands from the Thames path in Fulham, 1-month exposure time, 2021
The River Thames and Cliffe Pools Reservoir marshes, Gravesend, 2021
Woolwich ferry pier, Silvertown, 2-month exposure time, 2021

Digital Exhibition

Coalhouse Fort, Tilbury, 5-week exposure time, 2021
Cliffe Pools Reservoir, Gravesend, 2021
The Mouth of the Thames, Gunners Park, Shoeburyness, 2-month exposure time, 2021
The Mouth of the Thames looking out to Sheerness, Gunners Park, Shoeburyness, 2021
Dock Road facing the Emirates airline cable cars, West Silvertown, London, 2-month exposure time, 2021
Canary Wharf, London, 2021
City of London Skyline from Westferry, Westferry, London, 2-week exposure time, 2021
Tilbury Coastline, Coalhouse Fort, Tilbury, 2021
Tate & Lyle Factory, Knights Road, West Silvertown, London, 2-month exposure time, 2021
The Thames Riverbank from Wapping stairs, Looking onto Canary Wharf, London, 2021
The Mouth of the Thames #2, Gunners Park, Shoeburyness, 2-month exposure time, 2021
University of Greenwich & Greenwich Power Station, photographed from Newcastle Draw Dock, Isle of Dogs, 2021
WWT London Wetlands from the Thames path in Fulham, 1-month exposure time, 2021
The River Thames and Cliffe Pools Reservoir marshes, Gravesend, 2021
Woolwich ferry pier, Silvertown, 2-month exposure time, 2021

About the Exhibition

‘In the offing, the sea and sky were welded’ is a project produced by visual Artist Sonam Tobgyal that explores the notion of human transition using the River Thames as the focal point.

Through his series of Solargraphs, the project conveys this idea of transition capturing a variety of locations both peaceful and in a state of development, illustrating how both change and tranquillity can be found along the riverbank to serve as spaces for solace and hopefulness.

The River Thames is a vein through which life has coursed for as long as it has existed, A connecting passage between England and the wider world. This channel of water has been central to both threats of invasion and key to trade routes and still life spirals in a constant state of flux around it. Surrounded by constant regeneration and industrialisation, the raw nature of the river reflects British perseverance, continuing to flow into the ocean as sure as the sun does rise and set. The Thames has offered a sense of familiarity and calm this past year, amidst the chaos and uncertainty it embodies a place of security, quelling any feelings of hopelessness and anxiety.

‘In the offing, the sea and sky were welded’ utilises the medium of Solargraphs as a means to illustrate this eternal unity between humankind and nature. In leaving pinhole cameras along the river that capture single images for weeks at a time and track the solar arc, the images created present a unique perspective of the Thames. The decontextualised and striking colours that are burnt into the photographs by the Sun's path create a visual representation of the passing of time and look to the future of how we harness and appreciate the Thames.

The title ‘In the offing, the sea and sky were welded’ is a quote taken from Joseph Conrad’s novel ‘Heart of Darkness' in which the narrator describes looking out to sea as they sail down the Thames. This fusion of the sea and sky which is occurring in the distant sea alludes to the connection between the elements. The waterways work in unison with the sky and the earth, together they adapt and grow. ‘The offing’ can now come to be understood as something happening in the immediate future. This is reflected in the project, through its presentation of redevelopment and of transition which is seen through the Solar arcs.

The project specifically explores a number of locations of significance and redevelopment along the Thames. These locations of importance and serenity such as the Source of the river stand in contrast to the bustling and growing locations such as Silvertown and yet the images produced still point to the elegant transformation of time that is occurring along the riverbank.

Supported by:

Artistic shapes and colour

Tide Changers

Tide Changers is a development programme delivered by Thames Festival Trust that provides early career artists under 30 with support to shape, develop and deliver their River Thames projects, with seed funding, marketing and development sessions.

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